Salanti and HOS Tjokroaminoto

Some reasons to buy this Salanti Bersaudara album is because it’s song Pitik Tjilik, and it’s Titi Qadarsih name, beside a mysterious name HA Tjokroamanito as one of it’s composers. Who is HA Tjokroaminoto? Has he close ties with Haji Omar Said Tjokroaminoto (1882-1934), influential leader in early Indonesia history, who tutored young Soekarno who-then became the first Indonesia President?

If it is true, history told an ironic story about Salanti Bersaudara, because this group did not enjoy freedom of expression especially in music. As it was well-known, that Soekarno era banned such western-like-Beatles music, so that Salanti life under that repression. While HOS Tjokroaminoto is a founding-father who promoted freedom.

According to Budi Setiyono, a journalist who managed budisetiyono.blogspot.com, Salanti group consists of Titi Qadarsih, Anny Cokro and Siti Salamah Koerniati (a.k.a. Sally Sardjan). This group grew up in the time of Bimbo, Tiga Dara Sitompul and Koes Plus. They launched the first long play album entitled Pitik Tjilik in 1965. It was likely that this group disbanded after they released the second album. By the way, Titi Qadarsih later became popular as a catwalk model and still active untill now. *

Pinoy Way to Reserve Folk Music

Every country has it’s way to reserve their folks music. The way the Pinoy is different from the way of Indonesian. Look at this album entitled YBANAG, a collection of original and traditional selections from the province of Cagayan. The songs were played and sung by the Ybanag Rondalla and choir conducted by Pun T. Liban. This album consists of 14 songs, notably Cagayan march and Cagayan (provincial anthem).

This album was produced by Governor Teresa J. Dupaya on 1970, and was part of their performance thru the Dance-Drama Ybanag at the Cultural Center of the Philippines. Cagayan is a province of the Philippines in the Cagayan Valley region, and is located at northeastern corner of the Luzon island.

This album told us many things. First, that Pinoy folks have a deep tradition in composing music, since they have Cagayan march and provincial anthem. Wow. Second, their governor published a long playing album on early 1970, a such thing that never happened in Indonesia. May be because governors in the Philippines have their autonomy for self-reserving the traditions. While Indonesia politics in that time was under centralized government by Soeharto regime. But don’t forget, that Indonesia government has his way to reserve folks music thru Lokananta, a recording industry owned by government. *

From Spain to Chick Corea

Armando Anthony “Chick” Corea (born June 12, 1941) a.k.a. Chick Corea is a well-known jazz musician. I don’t want to pretend to be his critic journalist. So let me talk about my experience with Chick Corea music. The first time I knew his name after watching a jazz concert in Gajah Mada University Yogyakarta on 1986. A local band played a song entitled Spain and I was amazed by that piece. From that experience, later I know that Chick Corea composed that piece.

After that, I try to enjoy his album, firstly from his best of Chick Corea. From Chick Corea music, I notice such likeable jazz despite it’s sophisticated chord and skill. Until 1996, if I think about jazz, I just remember two names: Chick Corea and Al Di Meola. Meola is an other jazz musician I like so much, because of his likeable compositions.

Fortunately that when I lived in Metro Manila 1996, I got some jazz long playings including this album Leprechaun by Chick Corea (1976). According to Wikipedia, this album was recorded during Corea’s time with his jazz fusion group Return to Forever. Though the album is more jazz oriented than anything Return to Forever had produced up to that time, the fusion edge still rings through quite clearly. *

Track list

1. Imp’s Welcome
2. Lenore
3.Reverie
4. Looking at the World (Lyrics: Neville Potter)
5. Nite Sprite
6. Soft and Gentle (Moran)
7. Pixiland Rag
8. Leprechaun’s Dream Part 1
9.Leprechaun’s Dream Part 2
*

Never Give Up Mus Mujiono

Mus Mujiono (48) is a composer, musician and singer. As musician, this man from Surabaya is a multi-instrumentalist and very well-known as guitarist. His mouth can imitate the sounds of guitar while playing guitar. Exercised with this skill (scating), some people called Mus Mujiono as Indonesia George Benson (Read also Wikipedia Indonesia).

His career as artist began when he joined a pop band De Hands. After disbanded, Mus Mujiono goes his solo career, beside join some temporary band such as Jakarta Power Band, Funk Section (1995), Canizzaro (2004), and A-Dhu band (2008).

If we trace back to his old works with De Hands, like some songs from long playing album Hallo Sayang (Hello Darling), we see that Mus Mujiono always made progress from time to time. He moved from very pop music like Halo Sayang song to more progressive like Tanda-tandanya and jazzy like Arti Kehidupan. And this song Arti Kehidupan is likely his signature song. *

Batak’s Lullaby

Some Batak people have a contribution to the development of Indonesia music from the very beginning. Batak is one of Indonesia’s ethnics, and Sitompul is one of it’s fam names. This album by Tiga Dara Sitompul entitled Riang is one of it’s evidence. This trio vocalists consists of Rika, Nessy and Mona. A Composer P. Sitompul was supposed to have a close ties with this trio vocalist.

Some songs from this album such as Riang, Historia D’un Amor, and Tidurlah Bujung are likely to be appreciated. The arrangement for vocal by this trio is undeniable very superb. This is their strongness, beside it’s likeable songs. Arrangement by prominent pianist Bubi Chen is an other magic. Tidurlah Bujung (Sleep my baby) is likely to be appreciated, because lullaby song is something important in daily life for every human in this global village. *

Discography:

Artist : Tiga Dara Sitompul
Band : Bubi Chen
Album : Riang
Composers : P. Sitompul, Titik Puspa, Faried.
Producer : Irama
Liner note : Sjaiful Nawas

*

Dangdut-Arabian’s A. Kadir

This album entitled Pengembara by various Indonesian singers is an other evidence that dangdut, one of Indonesia music genre derived from Melayu music, was influenced by traditional Arabian music. Some of singers in this album at least have Arabian blood. And if we pay attention to accent of singer especially A. Kadir, we will find that A. Kadir’s accent is such rooted from tilawah (Quran reading tradition). But if we pay attention to to the lyric, we will know that dangdut from the very beginning mostly talking about poverty and God’s pity. *

Discography:

ALbum : Pengembara
Artists : A. Kadir, A. Rafiq, Ida Laila ect
Band : Orkes Melaju Sinar Kemala, under direction A. Kadir
Arrangers : A. Kadir, Soejanto, Malik BZ, Fauzi, and so on.
Producer : J&B Record
Liner note: Charishadi Pranjoto

Track list
Side one:
1. Pengembara (Fauzi) — A. Kadir
2. Keluh si Miskin (A. Kadir) — Ida Laila
3. Djauh Berbeda (S. Achmadi) — A. Kadir
4. Kekuasaan Tuhan (S. Achmadi) –Ida Laila

Side two:
1. Kisah yang Sedih (A. Rafiq) — A. Rafiq
2. Peristiwa yang Silam (S. AChmad) — Nur Kumala
3. Hidup Baru (A. Kadir) — A. Kadir
4. Keadilan Tuhan (A. Malik BZ) — Nur Kumala
*

A March for Indonesia General Election

This longplaying entitled Aneka 12 Volume 10 produced by Remaco recording is a compilation of songs by various Indonesia singers. One of them, a song entitle Mars Pemilu is very important to be noted. This march is about campaign for people to be engaged in national general election. As noted in cover album, this song was composed by Mochtar Embut.

Mochtar Embut is a composer from Ujung Pandang South Sulawesi Indonesia (1934-1973). Graduated from French literature departement Universitas Indonesia, Mochtar self-learned piano since his very young. In his 9 years old, Mochtar composed the first song Kupu-kupu, a chlidren song.

Along his career, Mochtar composed more than 100 songs. His most popular song is a song entitled Di Wajahmu Kulihat Bulan. He was awarded by The International Pop Song Festival in Japan 1971 for his song The Deepest Love from Jakarta. He wrote a book entitled Kumpulan Lagu Populer I featuring Indonesia folksongs to show the world that Indonesia has many qualified folksongs (reference: tamanismailmarzuki.com).

Mochtar has influenced the next Indonesia musicians. Musician and composer Yockie Suryoprayogo (remember album Badai Pastai Berlalu) ever quoted as saying to the media that he learned composition and classical music from Mochtar. *

The Secret and Nightnoise

Reading a book entitled The Secret written by Rhonda Byrne (2006), we know that music is one of sources for what the so called positive energy. One composition which showed me that wisdom virtually is a composition by Night Noise entitled Snow on High Ground. This composition is very touching, very heartful, very spiritual, very magic. May be you can not imagine if you don’t listen to this composition yet. Listening to the music is the only way to catch all the sweetness of music.

I say that this composition is very spiritual, because it made me moving from one level to an other level of psycho-maturity. I remember a spritualist Anthony de Mello ever said in his book that spirituality is about changing yourself to be wiser. Snow on High Ground from Nightnoise is such music that transformed such spirituality.

Nightnoise was a music ensemble from Ireland (1984-1997). Their original blend of celtic, jazz and classical chamber music inspired generation of Irish musicians. Their seven albums were mostly released by Windham Hill record. The song Snow on High Ground is from album At The End of the Evening (1988). Johnny Cunninghamm (violonist) and Micheal O Dohmnaill (guitarist and pianist) from this chamber died young (qouted partly from Wikipedia). May God bless them. *

Ellya Khadam’s Signature Song

A singer Ellya Khadam has her unique position in Indonesia. Her contribution in history of what the so-called dangdut music is undeniable. Dangdut is Indonesia music which was derived from Melayu music in 1940-ies. In it’s development, dangdut was influenced by traditional music from Arab (50-ies), and then India (60-ies), and then rock music (70-ies) especially from British supergroup Deep Purple. The name dangdut is such onomatope from tabla sounds “dang dang dut dut”. (See also Wikipedia).

This single album entitled Boneka dari India consists of four songs. Boneka dari India is absolutely Ellya Khadam’s signature song and as an evidence that Indian music really ever influenced toward Melayu music. According to Wikipedia, Boneka was composed by composer Husein Bawafie.

Ellya Khadam was born in Jakarta, 23 October 1938. Educated from an Islamic school (madrasah), Ellya later was known as a singer and actress. She played for 21 movies from Tjita-tjita Ajah (1959) to Gudang Uang (1978). As Melayu singer, since 1955, she recorded estimately 400 songs (Pusat Dokumentasi Seni oleh Perpustakaan Nasional RI and Sinematek Indonesia). *

Lenso Dance Song

This album is not too special, if there is no song entitled Mari Menari Lenso. Composed by Soetedjo, this song was interpretated by Tiga Dara Asmara, vocal group from Surabaya. Lenso is traditional dance from Minahasa North Sulawesi. According to www.indonesia-tourism.com, Lenso dance is a dance that being taken away from Maengket, where the dancers apply hand broom when they were dancing. Maengket is common name for dance traditional drama that used in some places in Minahasa.

Lenso dance reminds Indonesians to Sukarno, the first President of Indonesia, who promote this dance in early Indonesia history to encourage genuine Indonesia culture. Sukarno even contributed one song and put his signature on long playing cover entitled Mari Bersuka Ria dengan Irama Lenso (Irama, 1965).*

Discography:
Artist: Tiga Dara Asmara
Album : No title
Band: Orkes Marjono
Composer: All songg composed by Soetedjo
Publisher: Remaco